Les Huguenots
Opéra National de Paris
Sept. 25 - Oct. 24, 2018

“Philippe Do is a tempestuous Bois-Rosé, with a forthright voice.”
– Damien Dutilleul, Olyrix

“Philippe Do, a Bois-Rosé of high caliber.”
– Bertrand Renard, Culturebox

“We liked Philippe Do, a very articulate Bois-Rosé.”
– Laurent Bergnach, Anaclase

Don Carlo
Staatstheater Mainz
Mar. 17 - May 27, 2018

“Verdi’s opera Don Carlo was celebrated at the Mainz State Opera. Tenor Philippe Do was a passionate and moving Don Carlos.”
– Volker Milch, Allgemeine Zeitung

Bizet: Te Deum & Gounod: Messe solennelle de sainte Cécile
Cathèdrale Saint-Louis-des-Invalides, Paris
Oct. 6, 2017

“Philippe Do, impeccable in Bizet, projects his voice effortlessly with easy high notes and a rich medium.”
– Didier Van Moere, Concertonet

Faust
Staatstheater Darmstadt
Feb. 18 - June 24, 2017

“Philippe is an elegant tenor with a beautiful ring and a precise articulation. He renders a sincere and almost childlike dependence to Méphistophélès.”
– Bettina Boyens, Frankfurter Neue Presse

“His vocal performance is undisputed.”
– Frank Raudszus, egotrip

Aida
Open-Air-Theater Wilhelmsburg
June 15, 2017

“The French tenor Philippe Do is convincing with an emotional and baritonal voice and secured high notes. He gives Radamès a great deal of emphasis.”
– Klaus Billand, Der Neue Merkur

La Bohème
Staatstheater Mainz
Oct. 16, 2016

“the Frenchman Philippe Do is a Rodolfo with solid yet agile high notes, and with a perfectly focused and concentrated tenor...”
– Axel Zibulski, FAZ

“a precise intonation and his impressive, narrative sense for the lyrical tenor voice...”
– Martin Wimmer, Südhessen

“With such a remarkably strong cast, there is indeed something more: neither Vida Mikneviciute’s Mimì nor the Rodolfo from Philippe Do lack the ability to ride over the orchestral sound, that Bäumer unleashes with passion... Fundamental for such conviction is - in addition to the beautiful tenor timbre and high notes of Rodolfo, and a Mimi, who can also truly personify the fragile figure with a delicate piano - an in-depth personal performance, which also takes Puccini's love couple out of the realism of the social drama. In a duet, Rodolfo and Mimì take each other's hands and spread their arms as if they could literally escape on the wings of the song of reality, with a glowing backwind from the orchestra pit. ”
– Volker Milch, Allgemeine Zeitung

Haydn: Die Schöpfung
Cloître des Bernardins - Paris
Sept. 20, 2016

“Tenor Philippe Do sang a luminous Uriel, with a clear voice, full of nuances, from velvety to trumpeting.”
Avant-Choeur

Opera Gala with Marina Rebeka
Sigulda Opera Festival, Latvia
July 31, 2016

“One cannot overlook Philippe Do, who came to the Sigulda Opera Music Festival several times, with each time performances always more convincing, more magnificent both vocally as well as emotionally and scenically. As the lovers by Georges Bizet and Puccini - José (Carmen) and Rodolfo (La Bohème) - he was impulsive, enthusiast and tender, then he opened new suffering depth with Jules Massenet’s Werther. It was the tenor’s golden hour and also one of the high points of the concert and of the whole festival.”
– Inese Lusnja, Deina

Massenet: Werther
Stadttheater Furth
June 26, 2016

“Philippe Do sings tonight the loving, happy, tormented, and ultimately longing-for-death Werther. And he does this imposingly. His voice has a warm, pleasant ring, carrying easily in the forte and in the high notes, which are brilliantly shining. A beautiful lyric voice, full of stamina, from this young artist born in France.”
– Manfred Drescher, Der Oper Freund

Opera Gala Jubilee
Gut-Immling Festival
July 16, 2016

“In La Bohème by Puccini, Philippe Do as Rodolfo was greeted with long cheer storms by the audience. His aria "Che gelida manina " was sung with delicacy, mellowness, and vibrancy.”
OVB

Opera Gala
Abbaye de l’Epau
June 2016

“A distinctive vocal purity from tenor Philippe Do, whether he sang Werther by Massenet or Mario from Tosca.”
– Vincent Cressard, Ouest-France