“He has it all: the beauty of a lyric tenor voice with refined mezza-voce, and the purity of the style”
— Alan Blyth, Opera
with
Nicolas Courjal, bass
Aurore Ugolin, mezzo soprano
Michèle Bréant, soprano
Gabriel Durliat, piano
"Quant au ténor Philippe Do, il est un vaillant Manrico, avec une ligne de chant homogène et une voix pleine d’épaisseur émise avec vaillance, notamment vers l’aigu"
Tenor Philippe is a valiant Manrico, with a homogeneous singing line and a full and robust voice, especially in the high register.
"Don José y est campé par un habitué du rôle, le ténor Philippe Do, qui use avec fougue et générosité d’une voix puissante et robuste. "
Don José is sung by tenor Philippe Do, a familiar interpreter of this part, using with ardor and generosity a powerful and robust voice.
PIerre Géraudie - Olyrix
https://www.olyrix.com/articles/production/4823/les-voix-solidaires-1-juin-2021-opera-confluence-grand-avignon-violences-faites-aux-femmes-arbel-bonnet-bourdarel-conrad-coquart-dariz-marco-gombert-helu-kilouli-kint-lamaison-michel-bauza-chagnon-craipeau-lemercier-mas-pancrazi-pons-gendre-tomao-triquet
"Generelt var de musikalske højdepunkter i operaen, de smukke arier og duetter. Phillippe Do, der sang Lenskij, udviste dramatisk og musikalsk kapacitet på samme niveau som Kuhn i Lenskijs store dramatiske arie ude i skoven. I så høj grad at jeg næsten fældede en tåre: Der var noget særligt tragisk over måden, Lenskij stod grædende og alene i en vinterkold skov udklædt som en klovn. »
"In general, the musical highlights of the opera were the beautiful arias and duets. Phillippe Do, who sang Lenskij, exhibited dramatic and musical ability at the same level as Kuhn in Lensky's great dramatic arie in the woods. So much so that I almost shed a tear: There was something particularly tragic about the way Lenskij was crying and alone in a winter-cold forest dressed like a clown. "
Julia Bielefeld, Ungtteaterblod
"Efter festen och innan Onegin skjuter ihjäl honom sjunger Lenskij sin stora aria Kuda Kuda. Här levererar tenoren Philippe Do sin aria med all önskvärd känsla och övertygelse. »
"After the party and before Onegin shoots him to death, Lenskij sings his big aria Kuda Kuda. Here, tenor Philippe Do delivers his aria with all the desirable feeling and conviction. »
Morgens H Andersson, Operalogg
"og denne opsætning af EUGEN ONEGIN fremstår som en holdindsats fremfor en række individuelle sejre. Den følelsesfulde Philippe Do som Lenskij gør dog et særligt indtryk"
" this setup of EUGEN ONEGIN appears as a team effort rather than a series of individual victories. However, the emotional Philippe Do as Lenskij makes a special impression"
Michael Søby, CPHCULTURE
